 |
|
|
|
|
| Ballad (1966)
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| |
Salvatore Martirano (1927-1995)
|
| |
vocal, misc chamber/small
|
|
|
|
| Composition 304 (+ 91, 151, 164) (2002)
|
| |
Anthony Braxton (b. 1945)
|
| |
misc duo
|
|
|
|
| Composition No. 186 (1996)
|
| |
Anthony Braxton (b. 1945)
|
| |
misc chamber/small
|
|
|
|
| Concerto for Percussion and Orchestra (1974)
|
| |
Lukas Foss (1922-2009)
|
| |
solo instrument/voice + orchestra
|
|
|
|
| Fresnel Lens Ø7: An Awkward Squad (2000-2001)
|
| |
Jorge Boehringer (b. 1975)
|
| |
chamber/large
|
|
|
|
| Immobiles (1967)
|
| |
Mel Powell (1923-1998)
|
| |
electroacoustic, misc chamber/small
|
|
|
|
| In C (1964)
|
| |
Terry Riley (b. 1935)
|
| |
chamber/large
|
|
|
|
| Listening Room (2002)
|
| |
David Hanner (b. 1963)
|
| |
chamber/large
|
|
|
|
| Lousadzak, op. 48 (1944)
|
| |
Alan Hovhaness (1911-2000)
|
| |
solo instrument/voice + orchestra
|
|
|
|
| Meditation: Nothing's Changed, Everything's Changed (1961/2002)
|
| |
"Blue" Gene Tyranny (b. 1945)
|
| |
solo keyboard, electroacoustic
|
|
|
|
| Missa Canibus (1998-1999)
|
| |
Jack the Dog
|
| |
chamber/large, vocal, choral
|
|
|
|
| Multiplication Virtuelle (2004)
|
| |
Mei-Fang Lin (b. 1973)
|
| |
solo percussion, electroacoustic
|
|
|
|
| Music for Cello and Piano (1954-1955)
|
| |
Earle Brown (1926-2002)
|
| |
string + piano
|
|
|
|
| New Skin (2003-2004)
|
| |
Alexandra Gardner (b. 1967)
|
| |
electroacoustic, solo wind
|
|
|
|
| Obscuritas Luminosa, Lux Obscura (2005)
|
| |
Konstantinos Karathanasis (b. 1975)
|
| |
electroacoustic, misc chamber/small
|
|
|
|
| Ryoanji (1983-1985)
|
| |
John Cage (1912-1992)
|
| |
misc chamber/small, electroacoustic, vocal
|
|
|
|
| Standing Waves for Liberty (2000)
|
| |
Jorge Boehringer (b. 1975)
|
| |
electroacoustic, chamber/large
|
|
|
|
| String Quartet (1965)
|
| |
Earle Brown (1926-2002)
|
| |
string quartet
|
|
|
|
| Trio III (1996)
|
| |
Christian Wolff (b. 1934)
|
| |
misc chamber/small
|
|
|
|
| Two Worlds (1962)
|
| |
George Cacioppo (1926-1984)
|
| |
chamber/large, vocal
|
|
