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<item><title>Recent Additions: Dormant Craters (1995) by Henry Brant</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=358</link><description><![CDATA["Whether or not the sound of this piece has any connection with dormant volcanic craters, I am hardly in a position to say; but the craters I mean are the latent explosions we don't know about yet, both in the human sphere and in the natural world."
]]></description><pubDate>Sat, 21 June 2008 17:09:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=358</guid></item>
<item><title>Recent Additions: Midnight Oil (2001) by Paul Koonce</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=359</link><description><![CDATA["<b>Midnight Oil</b> is a study on the effect of tuning on our perception of sound, instrument, timbre, and voice ... I like to think of the resulting experience as one that takes the listener from a familiar, equal-tempered world of musical sound, where instruments are in tune with each other but out of tune with themselves, to a new place where instruments, increasingly in tune with themselves, become, ironically, out of tune with each other."
]]></description><pubDate>Thu, 05 June 2008 15:37:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=359</guid></item>
<item><title>Recent Additions: Composition 304 (+ 91, 151, 164) (2002) by Anthony Braxton</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=354</link><description><![CDATA["<b>Composition 304</b> is a piece written for a recording of duets with Braxton and myself. The music features rhythmically interlocked, angularly intervallic lines that lead back and forth into improvisation as the performers constantly switch up horns and timbres. Consistent with Braxton's interest in 'collage logics,' this performance also incorporates previously composed materials into the improvisations, including <b>Compositions 91, 151,</b> and <b>164.</b>"
]]></description><pubDate>Sat, 24 May 2008 12:22:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=354</guid></item>
<item><title>Exploded View #1: John Harbison on his String Quartet No. 3</title><link>http://artofthestates.org/ev/ev.harbison.sq3.mp3</link><description>Composer John Harbison guides us through the anatomy of his String Quartet No. 3 (1993) and reveals the piece's roots in early American sacred music. First in an ongoing series of educational podcasts produced by Art of the States.</description><pubDate>Wed, 14 May 2008 15:00:01 EDT</pubDate><enclosure url="http://artofthestates.org/ev/ev.harbison.sq3.mp3" length="10069153" type="audio/mpeg" /><source url="http://artofthestates.org/rss/aos-exploded-view.xml">Art of the States Podcasts</source>			<guid isPermaLink="true">http://artofthestates.org/ev/ev.harbison.sq3.mp3</guid>

<itunes:author>Art of the States</itunes:author><itunes:subtitle>Composer John Harbison guides us through the anatomy of his String Quartet No. 3 (1993) and reveals the piece's roots in early American sacred music.</itunes:subtitle><itunes:summary>Composer John Harbison guides us through the anatomy of his String Quartet No. 3 (1993) and reveals the piece's roots in early American sacred music. First in an ongoing series of educational podcasts produced by Art of the States.To hear the work in its entirety and learn more about the composer and performers, please visit our website at http://artofthestates.org.</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>10:29</itunes:duration><itunes:keywords></itunes:keywords></item>

<item><title>Recent Additions: Improvisation (2007) by Carmel Raz, Gene Coleman, and Christopher Adler</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=356</link><description><![CDATA["Transonic is ... where we explore work that merges Western and non-Western musical ideas and practices. The non-Western element in the program with Christopher and Carmel was the use of traditional Thai instruments. Improvisation and composition both play important roles in exploring how Western and non-Western music can create new, hybrid forms of artistic thought and expression."
]]></description><pubDate>Fri, 23 Nov 2007 18:45:00 EST</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=356</guid></item>
<item><title>Recent Additions: Post-Modern Homages (1984-1991) by Stephen Hartke</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=355</link><description><![CDATA["While not composed as a unified set, my six <b>Post-Modern Homages</b> share some common features: each was composed for a friend, and each addresses a narrowly defined musical issue, either the transformation of aspects of an existing piece of music, or working with strictly limited musical means."
]]></description><pubDate>Tue, 30 Oct 2007 17:55:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=355</guid></item>
<item><title>Recent Additions: Dreams (1934-1935) by George Antheil</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=357</link><description><![CDATA["Balanchine was looking for an American ballet <b>sufficiently Parisian!</b> I regret to say that he found exactly the combination of Americanness [sic] and Parisianness he wished in me. He had attended the premiere of <b>Helen Retires</b>, liked it (he was probably the only one), and on the strength of that commissioned me to write him a ballet. I did. It was called <b>Dreams</b> and had a d&#233;cor by Derain, explained by Balanchine in gorgeous Balanchinesque choreography."
]]></description><pubDate>Thu, 25 Oct 2007 16:00:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=357</guid></item>
<item><title>Recent Additions: Y.T.T.E. (2003) by Matmos</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=347</link><description><![CDATA["The title of this song refers to the imaginary city that visionary draftsman Achilles Rizzoli spent his life depicting. He peopled his city with skyscrapers, cathedrals, and vast public buildings that symbolically represented the tiny group of friends and family members who supported his art and attended his occasional exhibitions. The letters <b>Y.T.T.E.</b> stand for <b>Yield To Total Elation</b> ... Pop music = total elation."
]]></description><pubDate>Wed, 01 Aug 2007 13:35:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=347</guid></item>
<item><title>Recent Additions: The Stars and Stripes Forever (1897/2003) by John Philip Sousa</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=348</link><description><![CDATA["This cover of a classic marching tune by John Philip Sousa contains many samples of students from Harvard University, patient souls who endured our seminar on sound art last October [2002] ... it also contains snippets of interviews Drew conducted on the street in the Tenderloin neighborhood of San Francisco with homeless teenagers for a radio show about queer street kids in the Bay Area."
]]></description><pubDate>Mon, 30 Jul 2007 09:35:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=348</guid></item>
<item><title>Recent Additions: Memorias Tropicales (1985) by Roberto Sierra</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=350</link><description><![CDATA["Written in 1985 for the Kronos Quartet, <b>Memorias Tropicales</b> was my first work for string quartet. Each of the four movements represents a different tableau or 'memory' from my own experiences in the tropical island of Puerto Rico."
]]></description><pubDate>Wed, 25 Jul 2007 14:35:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=350</guid></item>
<item><title>Recent Additions: Dionysiacs (2004) by David Felder</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=351</link><description><![CDATA["The title and the musical materials refer to several episodes described within the body of legends attributed to the god Dionysos. Most important to this small set of musical scenes are those associated with the Maenads and their various rampages, and the sea voyage wherein Dionysos' flute-playing created a deeply mysterious enchantment. The composition is in three sections, or vignettes, connected together by ensemble textures."]]></description><pubDate>Mon, 23 Jul 2007 09:50:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=351</guid></item>
<item><title>Recent Additions: Nine Preludes (1924-1928) by Ruth Crawford Seeger</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=352</link><description><![CDATA["The <b>Five Preludes for Piano</b>, miniatures that range from about one minute to almost three minutes in length, are mood pieces, where ruminative introspections are often interrupted by whimsical humor and playfulness. Scriabin's influence shows itself in relation to harmony and meter. Crawford's typical chords are built from tritones, fifths, and perfect fourths. A sense of suspended animation comes from slow tempos combined with varied compound meters: 12/8 is her equivalent of common time, with frequent interpolations of other metric schemes."]]></description><pubDate>Thu, 19 Jul 2007 15:40:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=352</guid></item>
<item><title>Recent Additions: Listening Room (2002) by David Hanner</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=353</link><description><![CDATA["You take delight not in a city's seven or seventy wonders, but in the answer it gives to a question of yours."<br><br>
"Or the question it asks you, forcing you to answer, like Thebes through the mouth of the Sphinx."]]></description><pubDate>Tue, 17 Jul 2007 23:00:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=353</guid></item>
<item><title>Recent Additions: Fire Fragile Flight (1973) by Lucia Dlugoszewski</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=349</link><description><![CDATA["In the Great Lakes country where I was born, the delicacy of deciduous trees in early March had a kind of elusive swiftness of form; even winter had the quickness in sky that pinpointed the swift spirit of the spring season. Inside, we also know the swift quality of erotic tenderness ... What strange risk of hearing can bring sound to music -- a hearing whose obligation awakens a sensibility so new that it is forever a unique, new-born, anti-death surprise, created now and now and now ... a hearing whose moment in time is always daybreak."]]></description><pubDate>Tue, 05 Jun 2007 14:45:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=349</guid></item>
<item><title>Recent Additions: Nosturnos (1991/2003) by Arthur Kampela</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=345</link><description><![CDATA["The most important compositional aspect of this piece, thus, has to do with the way I hear and/or reinterpret the styles and techniques of previous and contemporary generations of composers ... The 'styles' appear isolated from their historical context and become a field of color or a timbristic pattern. They are disembodied acoustical 'accretions' or 'leftovers' of musical objects collected from diverse stages of music's history that are now recognized as cultural carcass, hollow aggregates of 'found objects' each with its own timbristic aura."]]></description><pubDate>Thu, 31 May 2007 10:30:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=345</guid></item>
<item><title>Recent Additions: Acouasm (2001) by Robert Scott Thompson</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=346</link><description><![CDATA["How often does a memory reside only in audition? Just the sound of an experience bereft of visual, olfactory, or tactile dimension reminding us of a specific experience? Quite often the auditory resonance of an event, the words uttered, the song playing on the radio, or the ambient sounds heard accompanying the experiential context are the only memories left reverberating in consciousness. Sometimes these aural images recede into memory extremely slowly. Sometimes they remain indelible."]]></description><pubDate>Mon, 14 May 2007 20:20:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=346</guid></item>
<item><title>Recent Additions: Partita-Variations (1976) by George Rochberg</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=343</link><description><![CDATA["'Tradition,' T. S. Eliot says, 'cannot be inherited, and if you want it, you must obtain it by great labour.' ... To regain through conscious and intense effort meaningfully personal connection with the traditions of the past and integrate that variegated past with an equally variegated present into a large, as inclusive as possible spectrum of seeming opposites is, I believe, to re-establish the inner tension a composer needs today in order to make the richest possible musical statements of which he is capable."]]></description><pubDate>Thu, 19 Apr 2007 11:25:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=343</guid></item>
<item><title>Recent Additions: Pilgrimage (1983) by Andrew Imbrie</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=344</link><description><![CDATA["The title occurred to me after the piece was completed. It expresses my view of this composition in particular (and my others in general): namely, that it was a journey in search of an answer. This kind of search may uncover an unexpected truth, or a cryptic ambiguity; but at least the pilgrim, in reaching the shrine after his journey, has by now acquired enough faith to reject the Ivesian implication that his question is unanswered."]]></description><pubDate>Mon, 16 Apr 2007 14:00:00 EDT</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=344</guid></item>
<item><title>Recent Additions: Three Character Pieces, op. 9 (1885) by Arthur Foote</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=339</link><description><![CDATA["A 'character piece' is a brief poetic composition that ordinarily brings out a distinct mood or picture. This work comprises three such character pieces: <b>Morning Song</b>, <b>Menuetto Serioso</b>, and <b>Romanza</b> ... The sentiment is stronger than usual for this type of piece, but effective nonetheless. Brahms' influence on Foote is clear."]]></description><pubDate>Thu, 08 Mar 2007 10:15:00 EST</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=339</guid></item>
<item><title>Recent Additions: New Skin (2003-2004) by Alexandra Gardner</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=340</link><description><![CDATA["In many cultures sunrise is received with rituals of respect and thankfulness, acknowledged as a new beginning, or rebirth. In this composition my intention is to evoke an arrival into 'light' -- a sense of awakening to a new day."]]></description><pubDate>Sun, 25 Feb 2007 11:25:00 EST</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=340</guid></item>
<item><title>Recent Additions: a quiet way (2006) by Eun Young Lee</title><link>http://artofthestates.org/cgi-bin/piece.pl?pid=341</link><description><![CDATA["Timing is everything in our lives. When one composes, cooks, meets people, etc., the timing of all experiences makes for totally different results. This poem by Emily Dickinson reminded me of a friend's story -- a story that was very emotionally complex because the timing of the experience was not exactly right when it occurred."]]></description><pubDate>Sat, 17 Feb 2007 16:05:00 EST</pubDate><guid isPermaLink="true">http://artofthestates.org/cgi-bin/piece.pl?pid=341</guid></item></channel></rss>